Екатерина Слободская

Подготовка к поступлению

Креативный директор BBDO Branding.

Работы Кати выставлялись на локальных и международных фестивалях и выставках, публиковались в журналах об искусстве и дизайне, рекомендованных для получения докторских степеней, получали награды на интернациональных конкурсах. В своей личной практике она занимается спекулятивными исследовательскими проектами и работает в серой зоне между наукой, искусством, и дизайном.

Профессиональная деятельность

Креативный директор BBDO Branding (2023–наст. время);

Сотрудничала с такими компаниями как Coca-Cola, Johnson & Johnson, BMW, разработала дизайн для фестиваля AR-искусства Rosbank Future Cities;

Ранее работала в международном PR-агентстве PBN Hill+Knowlton с такими клиентами как Spotify, Visa, IKEA, McDonald’s, Haval, Campari;

Преподает, пишет образовательные программы, проводит воркшопы с 2019 года.

Образование

MA Design — University for the Creative Arts (2023);

Creative Direction — Central Saint Martins College of Art & Design (2021);

BA (Hons) Graphic Design, First Class Honours — British Higher School of Art and Design (2021);

Foundation Art and Design, Distinction — British Higher School of Art and Design (2018);

ESL, Masscom — GCC, Los Angeles, USA (2014).

Выставки

2023 United States International Poster Biennial. Al, USA (2023);

Bucharest Graphic Days. Bucharest, Romania (2023);

B.I International Poster Art Biennale in Korea. Shortlist (2023);

‘False Floor. Nightwalk’. Personal Exhibition / Speculative photography research project. Cube Gallery, Moscow, Russia (2023);

‘False Floor’. Personal Exhibition / Speculative photography research project. Cube Gallery, Moscow, Russia (2023);

‘L.A. Design Festival’, Los Angeles, CA, USA (2023);

‘11th Poster Triennial’, Trnava, Slovakia (2022);

‘Ecuador Poster Biennal’, Ecuador, Quito (2022);

‘Global Biennale of Graphic Design Golden Bee 14’. Just a Poster (x16), Musical Club (x1). Winner of the Special Notice Award. Winner work ‘You Better Remember My Name’. Moscow, Russia (2022);

‘Look How the Tables Have Turned’, degree show, Moscow, Russia (2021);

‘The World After’, Springfield, MO, USA (2021);

‘Typomania Moscow International Festival’.
Two-time Winner of the Global Russian Typographic Poster (x2). Winner works ’Lazy’ and ‘Ostin’. Moscow, Russia (2021);

‘36th Youth Exhibition of the Moscow Union of Artists’, Moscow, Russia (2021);

ASEDAS Southeast Digital Art Association, Thailand (2021);

‘13th Skopje Poster Festival’, Skopje, Macedonia (2020);

‘Theme Poster Exhibition, Marine Resources’, Nanjing, China (2020);

‘Romanian Design Week’, Bucharest, Romania (2020);

‘Global Biennale of Graphic Design Golden Bee 14’. Poster Unlimited (x3); Coronavirus & We (x3). Moscow, Russia (2020);

‘Stay Sane, Stay Safe’, Netherlands (2020);

‘Covid-19’, Tehran, Iran (2020);

’Breath. Symbiosis’, China, (2020);

‘Contemporary Art Festival Reflection’, Ryazan, Russia (2018).

Public talks

‘On the Same Page. How to work with Designers’. Public Talk / Open Lecture for nonprofit organisations, carried by Sreda Svoikh. Moscow, Russia (2023);

‘Career Path of a Graphic Designer: from a Student to the Industry Leader’. Public talk / Open lecture at Universal University (2023);

‘Art & Science in Creative industries’. Panel discussion at Russian Creative Week. Moscow, Russia (2023);

’What Happens After’. Guest lecture / industry talk at BHSAD. Moscow, Russia (2023);

‘Graphic Design & Education’. Guest lecture / industry talk at European Gymnasium. Moscow, Russia (2023);

‘Good Work is Not Enough / Presenting Presentations’. Guest lecture at DMUK. Almaty, Kazakhstan (2023);

‘Poster evening. Workshop’ for Bang Bang Education, Moscow, Russia (2022).

Публикации

ADCR, Jury of the Young and Students category (2023);

‘False Floor’, Al-Tiba9 Contemporary Art Magazine. Barcelona, Spain, printed publication (2023);

‘False Floor’, digital publication (2023);

‘How to stop being afraid of neural networks’, SkillboxMedia, interview, digital publication (2023);

‘Design and Branding Trends in 2022-2023’, Sostav, interview, digital publication (2022);